Looking to hire Iyeoka’s audio engineer for month of May. UNOGBO production project begins Sunday May 5th 7pm Recording vocals. The Record Company is location where an experienced engineer is required for all recording sessions. 1. We require an engineer who is listed already at TRC or available for a mandatory engineer orientation at the Record Company that requires the engineer to sign up for an orientation prior to our session on the 5th of May and you will receive an email from TRC with instructions on how to sign up. Session location The Record Co. 960 Massachusetts Avenue Boston, MA 02118

Hello, I'm currently seeking a producer who can assist me with registering my song. I have the musical composition ready, but I require support specifically for the registration process. If you have experience with song registration and are confident in your ability to guide me through this process, I would love to hear from you. Responsibilities: Assist with the song registration process Provide guidance and expertise on copyright and registration requirements Ensure all necessary documentation is completed accurately and efficiently Qualifications: Prior experience with song registration preferred Strong understanding of copyright laws and registration procedures Excellent attention to detail and organizational skills Ability to communicate effectively and provide clear guidance If you're interested in helping me bring my song to fruition by ensuring its proper registration, please reach out with your qualifications and availability. Thank you, Marianna D.

I am a part-time professional keyboard player in a 3-piece jazz/R&B/pop band. I use Ableton on stage, but not to play any music inside of Ableton. I only use it to create my setups and splits for each song ahead of time. I use Keyscape for my piano sounds, and various VST synths inside Ableton. I have two StudioLogic MIDI controllers; one has internal sounds (Numa Compact 2x) and one does not (SL 88 Studio). I control soft synths inside of Ableton primarily from the SL 88 Studio, but sometimes also from the Numa Compact, when I have to remember to turn the volume knob down. There are a few things I need to know: 1. Right now, when we play a certain song, I load an Ableton song file and start playing. There's some uncomfortable lag time as I search the list of potential files in Ableton. Am I doing this the right way? Is there a better/quicker method for what I want to accomplish? We frequently call songs on the fly so I don't want to have to build my set lists in advance, if possible. There's a few dozen files to choose from for our entire set list. 2. I'm still not sending MIDI program changes to my second synth, the Numa Compact. I don't know how to do this. So there is additional delay in between songs as I change programs and possibly turn the volume up or down,depending on whether the Numa triggers its internal sounds or those of a VST inside Ableton. I'd like to be able to load a song in Ableton that sends local on/off and program changes to this device as well. 3. The Numa Compact has 9 assignable sliders, that I can use to control the drawbars of the Hammond B3X (IK Multimedia) soft synth I own. I have not yet figured this out. I'd like to explore using these sliders to control other things as well. 4. We use a Midas MR-18 mixer on stage. This mixer accepts continuous controller changes to affect whether the EFX channel is on/off. I'd like to be able to send a quick MIDI message in between songs to turn off the vocal effects returns, talk to the audience, then turn them back on when we start playing. This is just a starting list of things I'd like to incorporate into our playing. I consider myself a technical guy and have a lot of experience with MIDI over the years, but I'm a little lost with Ableton. I need a MIDI consultant.