Thank you for viewing my profile! Accent: Neutral American English I prefer "Fixed Rate" projects (please see special "oDesk rates" below!). I have over 19 years of voice over experience and a fully equipped, professional voice over/production studio. I turn projects around very quickly while maintaining high quality. Expert audio editor. I prefer to work "fixed rate" rather than "hourly", this ensures that you are not charged unnecessarily. I'm happy to re-record the original approved script to your satisfaction! I've produced and/or voiced projects for: Mazda Raceway Laguna Seca (voice) Mattel - Hot Wheels (voice) BBC Radio One (station liners/sweepers - voice and production) World Wrestling Entertainment (voice) Sony Computer Entertainment America, LLC (voice and production) Sony Pictures - Loot (voice and audio production) United Parcel Service (voice) Norwegian Cruise Line (voice) Hell Fire Games, Inc. (in game voice actor - Novas Prime) PSTalent and many more... a complete list of clients is available on request. You will receive a high quality recording in the format of your choice within 24 hours (for scripts 10 minutes or less) of awarded contract and approved script. Voice Over (FIXED) Rates for oDesk clients: (Television/Radio and Internet - per edited minute) 30 - 60 seconds - $55.56 60 - 90 Seconds - $83.33 90 seconds - 3 minutes - $111.11 Under 30 seconds or over 3 minutes is negotiable Do you need background music? I own several production music and sound effects libraries and can incorporate them into the production for an additional $11.11 per edited minute.
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I am a music Producer, Recording, Mix & Mastering Engineer, DJ, sound designer, and composer with over 5 years of professional experience doing work for Pop, Jazz, Fusion, Rock, Metal, Urban (HipHop), R&B, Electro, Dance music genres, long and short film scoring, drum and synth programming, sound design for films and games and audio restoration. I own a studio called ''iCan Studios'' where I use it for professional works. I have SSL AWS900+ mixing desk (legendary SSL G series EQ), Pro Tools HD3 system, Waves mercury bundle, lots of plugins, Summit Audio, Rupert Neve, T.C outboad fx gears. Dynaudio AIR15 5.1 monitor setup, Event Opal, Yamaha HS80, Yamaha NS10, Mixcube, Event Alp5. For mastering 3-way Genelec 1037C and PMC TB2S-A. I'm very interested in different genres and enjoy working on interesting projects also I am into sound design for other mediums (such as games, mobile apps etc.), as well as getting a broader client base for the editing, composing, mixing, and design work that I do. Services: • MIXING & MASTERING • SOUND EDITING • MUSIC PRODUCTION • POST-PRODUCTION • SURROUND MIXING • MOBILE SOUND DESIGN • AUDIO BOOK PRODUCTION • SOUNDTRACKS AND JINGLES FOR COMMERCIALS • SOUND LOGOS • SOUND DESIGN • RADIO STATION ID'S • MUSIC FOR WEBSITE • MUSIC FOR VIDEO GAMES • MUSIC FOR PODCAST • MUSIC FOR AUDIOBOOKS • RINGTONES • SOUNDTRACKS FOR SERIALS • SOUNDTRACK FOR MOVIE TRAILERS • SOUNDTRACK FOR MOVIES • MOTIVATION & PRESENTATION MUSIC FOR COMPANIES • MUSIC FOR CALL CENTER • MUSIC FOR THEATER AND BALLET • MUSIC FOR EVENT PROMOS • MUSIC FOR FASHION SHOW AND ORGANISATION
Musician and Guitarist focusing on music authoring, audio production (Logic Pro X), instrumentation arrangements, mixing and mastering, and assistance with regard to digital distribution on iTunes, BandCamp and other platforms / aggregators. See the following for a sample of my work: http://tailwindrecords.bandcamp.com/ https://www.youtube.com/watch?v=tStpgSG2bUw Mixing and Mastering is all carried out through Logic Pro X including: - EQ / Compression / Noise Reduction - Reverb (huge variety possible) - Digital Stereo Delays - Multi-Band Compression, Stereo imaging, Limiting, making the best use of digital headroom available, or for a more subtle natural feel to allow natural vocals and wide dynamic ranges I can provide assistance as well with setting up with various aggregrators (TuneCore, CDBaby, AWAL and so on) as well as other digital distribution channels (e.g. BandCamp) I have been involved in music at a very high level for over 30 years and can arrange full production of your song or music, using the following instrumentation: 1. Guitar - Ibanez Prestige electric lead and rhythm guitar - wide variety of amp modelling available, from ultra clean to heavy distortion - Acoustic (steel string) rhythm guitar and lead - Classical guitar (nylon string) - I have over 30 years experience playing guitar, attaining grade 8 in classical, and also extensive gigging experience on electric rhythm and lead, and acoustic 2. Drums - Up to 16 producer kits available via Logic Pro’s extensive drum library - Wide variety of drumming patterns, extensively "humanized" and with swing and groove to present a more natural (less mechanical) groove effect - Excellent sound, excellent control of various pieces of kit - Wide variety of drum machine / ultrabeat sounds, for EDM style music 3. Bass - Midi Via Logic Pro electric bass, fingerstyle or picked bass options - wide variety of EQ possible - Wide variety of Synth bass options 4. Keyboards and Synths - Wide variety of synth, piano, clav and so forth available via Logic Pro’s extensive library - Please note I play very basic keyboard, often it’s the artist who records the keyboard parts if they are moderately complex - however many of my clients are often impressed at the level of variety and skill attainable through approaches including arpeggiator and on, enabling rich textures and prominent foreground music to be equally possible
Aj Lornie Agency Contractor
Working out of two world class reocrding studios in the UK, with a team of highly qualified & exprienced creatives & engineers Forte Sounds Ltd offers the media productions industry a comprehensive solution to all their audio post production needs. Be it bespoke Composition, original Sound Design, top quality Voice Over or the highest quality audio/music for your production we have done it before, always on time, in budget whilst constantly surpassing the clients expectations which include The BBC, Firecracker & a host of Microsoft's XBOX titles. We really hope to be working with you soon. Forte Sounds Ltd
My goal is to help you realize your musical dreams! I have been involved with music creation and performance for the last 37 years. My expertise includes Logic Pro and Finale software programs. I am an accomplished pianist, singer/songwriter, drummer/percussionist, composer, arranger, transcriber and conductor.
I'm a dutch speaking young man who likes to earn some money while playing music. I have studied and succesfully completed Electromechanical engineering specialized automation, beside that i play/make music and started a new study: guitar, in university. i play Guitar, Bass, Little piano and know alot about composing/mixing in Logic Pro X I'd love to make and edit music/audio for you, even compose some. I work with Logic Pro 9 / X. I have experience programming microcontrollers/PLC's, designing in Solidworks 2D/3D, AutoCAD 2D, and other programs to design mechanical structures or electrical schematic diagrams. Off course i can work with all basic office software like Word, Excel, Powerpoint, ... I have very good allround PC/Internet skills, since my childhood i've been researching/working/.. with computers. Because of my music knowledge i can work with software to edit tracks/movies, i'd like to expand this and learn a lot more about it. I'd like to do any job which includes electrical knowledge, Dutch and/or English translation.
I compose and create music themes soundtracks for videogames, shortfilms, trailers and for others audiovisual products. My last theme soundtrack for an apocalyptical game with Ibuprogames: http://www.thelastofsounds.com/last-days-at-the-mechanic-garage/ My last video for an alpha awesome cartoon and zombies mobile videogame : http://www.youtube.com/watch?v=K_pax---WOc&feature=youtu.be I create sound effects , do audio engineering, sound design, audio editing, , mixing, mastering, post production sound for video and anything else you need in terms of audio production. I have 6 years of experience composing musics for videogames, shortfilms, applications and trailers. I studied music in Malaga Conservatory and industrial engineer in Malaga University. I have composed the music soundtracks and made the sound effects for the following games and companies: Freedom Factory Studios, Explosive Muffin, Ibuprogames and Cretino Film. Please check out my demo reels and everything about the studio at http://www.thelastofsounds.com Services: -Direct contact with the customer and flexibility. -Custom music compositions 100% Original for main themes, ingame themes, leimotive themes, credits themes, menu themes, intro and final themes for every videogame soundtrack contracted. -I get Orchestral sounds placing every instrument at the correct location according for the scene and using the best musical techniques.. -Mixing, remixing, and mastering. -I have and play the following real instruments : Petrof Piano, Yamaha PSR 413 digital keyboard, alto sax J. Michael, guitars, basses, drums, vioins, cello, harmonica and flutes , which we play, record and edit at our studio. For the other instruments we have the best actual samples. -Post production sound for video. -Audio implementation in Unity3d, -SVN(A revision control system ) -Redmine for daily/weekly customer relations.(schedule,wiki,news,posts, etc) Software Audio Knowledges: Ableton Live, Reason Propellerhead, Logic Pro, Avid Pro Tools, Sound forge, Arturia, Waves, Sound Toys, Akai, Native and Vienna Instruments, the best services, Sibelius/Finale, East West, Project Sam, NI's Komplete, Spitfire AudioFocal, Roland, AKG, Shure, Sennheiser, Kontakt, Sony, Rode, MXL, Zoom, M-Audio, Line-6, Ibanez, Fender, Aria, Crate, Blackstar, Audacity, Cool edit, Proteus 2000, etc, but I like to record live where I can, as do we all. I have Ouya, OSX, IOS, Android, Wii, PS3, Xbox, NDS, PC, Ubuntu, Unity 3d devices for testing, I use SVN with the customer or using the Revision Control System proposed by the customer.
I love music, making music, and making music sound great. Stage educated, road tested, and studio polished. Thousands of hours, hundreds of bands, scores of albums, several awards. I especially enjoy working with artists who want to understand the craft. Dialing in a mix is an esoteric and subtle art, but very intuitive and only moderately technical to the self-aware artist. There are secondary benefits in songwriting and composition, demoing and tracking - understanding how sounds fit together changes the way you work. Further, mastering is a largely study of previous commercially successful material - a superb addition to any professional musician's understanding of the industry. Thus, my most popular (online) service is "mastering with mix consulting". I "walk" the artist through the process, from early test mixes to final masters, teaching along the way. Clients learn by receiving detailed written recommendations (with explanations and examples, and phone/video are available) that they can implement themselves in whatever software they prefer. This hands-on experience is priceless, IMO. I provide reference masters as we go so you can hear how your choices are enhanced/exacerbated by the mastering process. The job is not done until the client is *fully* satisfied, and I offer "infinite revisions" - new mixes and/or masters can be requested at any time, forever, for free. Guaranteed satisfaction, period. Or I can do it myself, of course. Less fun... but fast as a 10-minute soundcheck. Very fast and very pro. Related services include restoration, enhancement and repair of any audio, music or otherwise, and consulting for same. I am also a pretty good songwriter and multi-instrumentalist. Examples provided upon request. I became an engineer because I *am* a musician, first. In addition to ghost and co-writing, I've delivered intelligently played and programmed overdubs on quite a few instruments, written jingles and radio spots, licensed a ton of instrumentals for network television, designed/installed/tuned/repaired custom audio (and lighting) rigs for nightclubs and concert halls, and founded several new/streaming media companies. But I call myself a mix/mastering engineer because that's my favorite job, by a mile. There is no job satisfaction I've ever enjoyed more than a band that is *truly* happy with their album. It's real love, the real thing - like a proud parent at a kid's graduation. There's nothing quite like it. Please provide details (and musical references, if appropriate) when contacting me so we can get right to work. Thanks! - CR
VIDEO | AUDIO | GRAPHIC DESIGN | WEBSITE DESIGN | SEARCH ENGINE OPTIMIZATION | SOCIAL MEDIA | PHOTOGRAPHY | DRAFTING WEBSITE: http://tomstevenscreative.com VIDEO PORTFOLIO: http://tomstevenscreative.com/portfolio_video.html ORIGINAL MUISC PORTFOLIO: http://tomstevenscreative.com/portfolio_original_music.html ABOUT Tom has a background in: television, feature films, emerging technologies, marketing and business development. In 1991, Tom discovered Northeastern's television studio while studying Communication at Northeastern University. Adding a concentration in television and film to his studies, Tom spent many days (and nights) mastering all the equipment in the studio. Late in 1991, the studio installed an Avid Media Composer digital editing system, a brand new technology. Tom immediately saw it as the future and became proficient with the system. Over the next two years Avid took the video world by storm. Referred and championed by his Northeastern professor's Tom was hired by Reebok (freelance) to assist and train the in-house video department on the Avid editing system. Reebok was gearing up for the Super Bowl XXVI launch of the tragically flawed, "Dan vs. Dave" multi-million dollar advertising campaign. The campaign was designed to generate buzz between two American decathletes: Dan O'Brien and Dave Johnson - for the 1992 Summer Olympics in Barcelona. Both were considered "sure locks" for gold and silver medals. The campaign took a tragic turn when Dan failed to qualify for the games. It was a great learning experience for a young college student. Tom also realized the corporate world was not for him. In 1993, again referred by his professor's, Tom was hired by an independent production company to apply his skills with the Avid Media Composer for a PBS documentary. By the time the documentary was finished Tom was also responsible for field sound recording and he composed the music for the production. The documentary - Sex Education In America: AIDS and Adolescence - received critical acclaim after a congressional viewing with the Surgeon General of the United States of America. In 1994, Tom moved to Los Angeles to join a start-up Avid editing system provider for feature films. This was at the dawn of the digital editing era when Hollywood made the move from traditional film-based editing to digital editing. Tom spent countless hours in the cutting rooms (editing rooms) supporting the systems and working with many Academy Award winning, producers, directors and editors. Some of the films Tom worked on include: As Good As It Gets, Jackie Brown, Mulholland Drive, Titanic and Waiting for Guffman. In 1999, Tom founded Orbit Digital West in Santa Monica. The company was a subsidiary of start-up Orbit Digital, in New York. Tom partnered with Orbit Digital to give the company a bi-coastal presence and to target the feature film market in Los Angeles. Tom glided into sales, marketing, emerging technologies and a business development role. Within a year the company was a "powerhouse" providing systems to all the major studios and production companies, including: Miramax Films, Revolution Studios, Universal Studios, Sony Pictures and Warner Bros. The company experienced rapid and exponential growth during Tom's time at the company. The company was sold in 2004 to PostWorks; a New York based post-production facility. In 2006, Tom moved back to Lexington, Massachusetts to seek treatment and be close to family while recovering from complications related to a serious mountain biking accident in Malibu, California. In 2009, Tom moved to Martha's Vineyard and began doing freelance creative work. He is a skilled: web and graphic designer, photographer, video producer and musician. During this time he also focused on the trends and technology related to video, internet, social media, marketing and the principles of search engine optimization (SEO). On a final note, Tom's entrepreneurial spirit and experience in building a successful business from the ground up enables him to understand that your success is tied to his own success. He is committed to building long-term, fruitful relationships with his clientele. POST PRODUCTION AND VIDEO SERVICES INCLUDE: editing compositing animated titles intros motion graphics bumpers special effects 3D logos color correction color grading repair touchup enhancement aspect ratio cropping frame rate conversion encoding for delivery website embedding uploading streaming consulting YouTube marketing YouTube channel optimization and design AUDIO SERVICES original music composition composer voiceover sound design audio editing audio sweetening audio enhancement audio mixing audio mastering