My name is Nosara Urcuyo and I’m from Costa Rica. In 2008 I came to Rio de Janeiro, Brasil to obtain my college degree in Communication - Film Studies in the Universidade Federal Fluminense (UFF). Today, I’m trying to
My name is Nosara Urcuyo and I’m from Costa Rica. In 2008 I came to Rio de Janeiro, Brasil to obtain my college degree in Communication - Film Studies in the Universidade Federal Fluminense (UFF). Today, I’m trying to pay back the years the university spent in my education.
I’m a Video editor and Script supervisor, and have been for the last four years. As an editor, I most recently worked for Descomplica SA, editing small videos with high school level academic content. I also worked during the first year (2013) of the “Pirandello Contemporâneo” project, an UFF Extension Project directed by Prof. Martha Ribeiro, where I was in charge of co-creating (from filming to completion) a series of promotional and archive videos. Finally, I worked for two years at Unitevê (Canal Universitário de Niterói), where part of my duties was to edit the events and programs that would be transmitted on the channel.
As a Script Supervisor, I have had the opportunity to work in a series of projects, from web-series to music videos to short films. Among them is the short film “Espelho”, directed by Juliana Milheiros and selected for the XI Festival Latinoamericano de Cinema Ambiental and the Vercine – Festival de Cinema Brasileiro da Baixada Fluminense 2014; the short film “Substantivo Abstrato”, directed by Carlos Camacho and selected for the X Mostra de Cinema Popular Brasileiro and the Vercine – Festival de Cinema Brasileiro da Baixada Fluminense 2014; the web-series “Paula Croquete”, directed by Vitor Medeiros and available in Youtube; and the music video “Luz Fría” from the group Harmada, directed by Rodrigo Sellos and available on Youtube as well.
I am a serious and responsible person. I like to work with new people and have the chance to exchange ideas and projects in order to grow as a professional and as a person.
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